LONG BEACH – When Harvard-Westlake High took an early one-goal lead Friday, Millikan’s boys soccer team was still confident. When Harvard-Westlake later tied the game in overtime to force sudden death, Millikan was confident. And when the game went to penalty kicks, Millikan knew it was advancing to the CIF Southern Section Division I semifinals. Ram goalie Carlos Gutierrez stopped one PK and watched another trickle wide left while all four Millikan shooters found the back of the net. The result was a 4-1 PK victory following a 2-2 draw through 120 minutes of regulation, overtime and sudden death. David Felton can be reached at firstname.lastname@example.org or (562) 499-1318. 160Want local news?Sign up for the Localist and stay informed Something went wrong. Please try again.subscribeCongratulations! You’re all set! “In (sudden death), I was wishing we would go to PKs,” said Gutierrez, “because I knew we would have it.” The Rams (28-1-3) opened the PK round with a goal from Christian Certa. Harvard-Westlake’s Thomas McAndrews, who gave the Wolverines (17-12-1) a 1-0 lead in the first half, followed with a shot that missed wide to the left. Next up for Millikan was Jonathan Garcia, who beat Matthew Kremer for a 2-0 lead. Charles Hartwick got Harvard-Westlake on the board but Manuel Espinoza’s goal gave the Rams a 3-1 edge. Gutierrez followed that by stopping Christopher Okano’s shot and Cesar Ramirez ended the game when his shot got past Kremer, setting off a wild celebration among the Millikan players on the field and fans in the stands. “Having the game-winning shot in my hands, I couldn’t feel my legs under me,” said Ramirez, who missed a PK earlier this season against Wilson. “But I knew we had it. I knew it would go in.” The Rams were just minutes from elimination when Gerardo Garcia tied the game late in the second half. Noe Medina gave Millikan a 2-1 lead in the second overtime period but the Wolverines’ Anthony Farias-Eisner tied the game with just three minutes left in overtime, sending the game to sudden death. Millikan, seeded No. 2 in Division I, travels to Santa Margarita on Tuesday.
Paolo Soleri graduated from the Politechnico in Torino with highest honors and a Ph.D. in architecture in February 1946. He received a grant given to outstanding students; at that time, just after the war, the grant amounted to about ‘6 lb. of butter’. Soleri wrote F.L. Wright expressing his desire to study at Taliesin and was accepted. As it was the custom with students who could not afford Wrights already high student fees, Soleri was initially assigned to work on the the kitchen and then to be personal aid at the dining table for the Wright family. Soleri became an apprentice to Wright, working primarily in the kitchen as a waiter and dishwasher, and also as a gardener and construction worker at both Taliesin East (Wisconsin) and Taliesin West (Arizona). Soleri also became a personal waiter to Mr. and Mrs. Wright. Soleri was still learning English while at Taliesin. He built a very simple shelter on Taliesin grounds, as other Wright’s apprentices do, as living quarters. Paolo studied with F.L. Wright for 18 months. March 24, 2005 The board of directors of the Taliesin Fellows held its annual meeting for Taliesin Fellowship, FLlW Staff and former apprentices of the FLlWSA at David Dodge,a long-time fellow at Taliesin, designed and built this house on his property adjacent to Taliesin West. [Photo:tt & text: sa]
Netflix continues to lead the FAANG companies in terms of original content, though the Facebook, Apple and Google-owned YouTube platforms are also making “unprecedented strides” in original content production.This is according to new research by Ampere Analysis, which shines a light on both the number of originals that the FAANGs are working on and the genre skews that make up these multi-billion-dollar investment efforts.Netflix is leading on the commissioning front with more than 250 upcoming titles – a figure that will more than double its originals catalogue, according to Ampere.Apple, YouTube and Facebook have 65 upcoming original titles between them, while YouTube has promised it will have 50 originals by the end of 2019.Netflix has been maintaining its focus on comedy and sci-fi commissions – youth-skewing genres that have performed well for the company via shows like Stranger Things, Master of None and BoJack Horseman.Amazon was found to be committing a higher proportion of new commissions to drama titles at 29% of upcoming titles compared to Netflix’s 17%. Apple meanwhile is emulating Amazon and Netflix with sci-fi its top genre for commissions, as seen by shows like its forthcoming reboot of Stephen Spielberg’s Amazing Stories.YouTube and Facebook are upping their volume of scripted content, with YouTube Premium focusing on youth-orientated comedy. Reality content makes up just 6% of their new commissions compared to 32% of their current catalogue, according to the research.Across all the FAANGs, comedy was found to be the most-commissioned genre overall. “With so much new content being produced across a range of subscription services, the FAANG group are under increasing pressure to create content that not only attracts new audiences but also prevents existing consumers from churning,” said Ampere analyst Richard Cooper.“All the major players have been expanding the number of original commissions in the face of an increasingly competitive market. Netflix is set to more than double its originals catalogue, as is Apple.“What’s interesting is the different audience profile that each of the FAANGs appear to be targeting with their originals content, suggesting they’re aiming at different niches within the SVOD market.”